Find live train times at St. Pancras International, including arrivals and departures for East Midlands Railway, Eurostar, Southeastern and Thameslink services. Check destinations, expected arrival and departure times, and platform information to help plan your journey.
St. Pancras International has always been more than just a travel hub; it’s a place where people come together, share experiences, and create memories. The addition of our public pianos enhances this sense of community, providing a space for music lovers to express themselves and connect with others.
Explore St. Pancras with our interactive map. From bars and restaurants, to train platforms and shops, you can find and navigate places to eat, drink and shop on both levels of the station.
Enjoy convenient and secure car parking at St. Pancras International, Ebbsfleet International, Stratford International, and Ashford International.
Discover the magic of Christmas in Germany, from Cologne’s famous cathedral markets and festive Old Town to traditional treats, charming neighbourhoods and a winter weekend full of festive discoveries.
In April 2014, we launched the second sculpture of the Terrace Wires series at St Pancras International, Chromolocomotion by David Batchelor. The colourful artwork was unlike anything ever seen at St Pancras International bathing the Grand Terrace in a Kaleidoscope of colour.
Chromolocomotion, expressed David Batchelor’s love of light and bold colour. Using brightly coloured Perspex shards, the new installation created an ever changing explosion of colour over the Grand Terrace in the station.
Taking influence of the station's gothic Victorian architecture and striking colours, Chromolocomotion made use of the iconic Barlow Shed roof as a light source transforming the area into St Pancras' very own stained glass window.
The 20m x 10m piece stopped the station’s visitors in their tracks and encouraged them to look up and take in this year's installation.
David Batchelor
Batchelor’s work comprises three-dimensional structures, photographs, paintings and drawings primarily centred around his long-term interest in colour and urbanism. By mixing a diverse range of everyday items with industrial products - often found from scouring the streets of London - his work celebrates the beauty of everyday objects that is often overlooked or ignored.
He has exhibited widely in the UK, continental Europe, the Americas and more recently, Asia. Recent exhibitions include Flatlands, Fruitmarket Gallery, Edinburgh/Spike Island, Bristol (2013/14); Magic Hour, Gemeentmuseum, The Hague (2012); Chromophilia: 1995-2010, Paço Imperial, Rio de Janeiro (2010); Backlights, Galeria Leme, São Paulo, (2008); Color Chart, Museum of Modern Art, New York (2008) and Tate Liverpool (2009); Unplugged, Talbot Rice Gallery, Edinburgh (2007); Extreme Abstraction, Albright Knox Gallery, Buffalo, New York (2005);the Biennial de Santiago, Chile (2005); Shiny Dirty, Ikon Gallery, Birmingham (2004); the 26th Bienal De São Paulo (2004); Sodium and Asphalt, Museo Tamayo, Mexico City (2003); and Days Like These: Tate Britain Triennial of Contemporary Art, Tate Britain, London (2003).
Batchelor has also written extensively on colour; his publications include Chromophobia (2000) and The Luminous and the Grey (2014). David Batchelor was born in 1955 in Dundee, and lives and works in London.
